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  • THE VICAR OF DIBLEYMay 2016
  • AN ENGLISHMAN ABROAD/STILL LIFEApril 2016
  • ROUND AND ROUND THE GARDENNovember 2015
  • LUCKY SODSSeptember 2015
  • FAWLTY TOWERSJuly 2015
  • THE HAUNTINGMay 2015
  • THE 39 STEPSMay 2015
  • 'ALLO 'ALLOSep/Oct 2011
  • DEATH OF A SALESMANJan/Feb 2012
  • CALENDAR GIRLSSep/Oct 2012
  • HENRY IV, PART 1March 2013
  • THE FLINT STREET NATIVITYSep/Oct 2013
  • THE BEAUTY QUEEN OF LEENANENov 2013
  • ALL IN GOOD TIMESep/Oct 2014
  • BLUE REMEMBERED HILLSNovember 2014
 

 

Review: I Want That Hair
by Victoria Evans

The action of the latest RLT production I Want That Hair takes place in a run-down northern hair salon and explores the lives and relationships of Bex, the 'fat and forty', underachieving Salon owner and Heidi, her salt-of-the-earth, good-for-a-laugh employee.

These roles were a massive undertaking for Bridget Sly and Lizzie Brookes who play our leading ladies as not only are there an immense amount of lines, but also a need to get the fluidity and pace of the characters' exchanges just right.

I am glad to say that for me, they both met this challenge and at times it seemed effortless.

Both Bridget and Lizzie had great comic timing and had the audience laughing literally from start to finish.

They complimented each other well as they portrayed the stark differences between these two women; Bex the university graduate with unfulfilled dreams and regular, but unsatisfactory home life against Heidi, who lives in the moment and if something aint right, she changes it without much thought for the future.

As well as the comedy, there were some equally touching and fiery moments too as the play went on and we discovered the deeper depths of these characters.

The clients, played by Zoe-Leigh Sly and Drew Smith, added an interesting element to the piece; although they didn’t have lines, their very presence made the salon itself seem more realistic and seemed to enhance Bex’s feeling of being stuck in a rut, as the same customers kept reappearing.

Zoe-Leigh's crazy hair at the end of the play was a great finish!

I must also congratulate the producer, Sarah Mullins, for her attention to detail in the set, music choices and natural staging.

The feel of the salon really came across, with use of real salon props. Well done too to the construction team for expertly creating a fantastic set.

The music helped the short, snappy scenes flow from one to the other seamlessly and the song choices were very apt.

Overall, a laugh out loud comedy with endearing characters, expertly performed and directed. Well done.

Our Next Production

After Miss Julie
by Patrick Marber
30th September to 8th October 2016, 7:30pm

Patrick Marber's After Miss Julie is not a translation of Strindberg's classic Miss Julie but a version of it, moving the action from the original 19th-century Sweden to the England of 1945. Class suspicions and resentments, the erotic collusion of antagonists, the struggle against repressive social mores - all feature in this sharp, tense drama which combines Strindberg's original vision with Patrick Marber's own consummate skill in drawing believable and psychologically astute characters whose every word has point and deadly meaning.

 

Booking Tickets for After Miss Julie
Members: 6:00-8:00pm 23/09/2016 and
10:00am-12:00 noon 24/09/2016
Non-Members: 6:00-8:00pm 26/09/2016
to 08/10/2016 (not Sundays)
Box Office: 01777 702002
Email:

 


2016-2017 Season Brochure

The Season Brochure for the forthcoming 2016-2017 season of plays is now available.

Click the image on the left
to download your copy,
or complete the form on the Contact page and we'll post one to you.