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  • THE LADYKILLERSFebruary 2017
  • LUCKY SODSSeptember 2015
  • FAWLTY TOWERSJuly 2015
  • THE HAUNTINGMay 2015
  • THE 39 STEPSMay 2015
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Review: The Rise and Fall of Little Voice

First and foremost, this is a must see production;
a wonderful show from start to finish, produced expertly
by Donnamarie Stamp with a superb cast.

The play itself is beautifully written by multiaward winning playwright Jim Cartwright.

As the curtains opened, the audience had a great set to feast their eyes upon; a living room, fully working kitchen, an upstairs and as revealed later in the play, a section of wall that opened to show outdoor scenes.

There was a sense of realism with the clutter in the Kitchen, the 80s décor and props, the lighting effects which showed several power cuts very convincingly and the sound effects and music. This was a real collective effort by the whole production team to make all of these effects work so well.

I was thoroughly impressed by the whole cast too. LV was the perfect role for Lesley Harris who with a stunning singing voice was able to perform so many songs in so many styles; her final performance being an impressive treat for the audience. On top of this she played the timid victim excellently.

Frank Stamp as Ray Say was absolutely convincing as the manipulative, small-time manager. He was sleazy but sweet, determined but thoughtful. I thought both his brutal show-down with Mari and his final scene were brilliant; gritty, emotional and brave.

Sarah Mullins as Sadie, the almost mute neighbour was hilarious! To make a character with very few lines such a great one takes skill, so hats off to her!

Alan Pattenden as Mr Boo was a perfect casting; his scenes as the club host were very rousing.

Scott Ord, playing Billy, had his debut on the stage and I thought he did a lovely job. The relationship between himself and LV was really sweet.

John Mitchell played LV’s late father, and although this was a small role, it was a significant one and I actually cried when he stood in the audience overlooking her final club performance. A great touch.

I have saved Joan Young till last as she played the part of Mari Hoff, the boozy, selfish mother of LV, to an absolute T. What a triumph! I could easily imagine Joan on a professional stage. Every line was delivered with punch, pace and passion and she embraced the character from head to toe. She made us laugh, cry and screw our faces in disgust, all in one speech! I loved watching her perform and Joan, along with the rest of the cast, the wonderful set and production qualities, made this one of my favourite shows. Well done RLT.


Reviewed by Victoria Evans


The Rise and Fall of Little Voice
by Jim Cartwright

Friday 18th May to Friday 25th May 2018, 7:30pm

Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father's records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent's interest as affection rather than enthusiasm for the gold mine buried in her daughter's throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.

Click here for booking information.


Play Reading: A Foot in the Door

Play readings to cast A Foot in the Door, the first play of our 2018-19 season, will take place in the theatre lounge on Monday 4th June and Thursday 7th June 2018 at 7:30pm.

The play requires three male and three female actors of various ages, and the play runs from 28th September to 5th October 2018.

For further details and copies of the script, please contact producer Joan Young on 07900 431011.


2018-2019 Season

Retford Little Theatre is pleased to annouce our 78th
Season of plays will open with A Foot in the Door
by Richard Harris, and will conclude with The Nightingales
by Peter Quilter.

A Bunch of Amateurs (Ian Hislop, Nick Newman), Fondly Remembered (Gareth Armstrong) and When the Wind Blows (Raymond Briggs) complete the season's line up.

Further details of all the plays in the 2018-19 season, including ticket information, can be found here.